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Foreign Buyers Club

by Klasey Jones

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zor
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zor A stunning EP with five distinctly different scenarios and characters in the same setting. Each track has a completely different mood while staying true to the theme. Area 55 is haunting; it feels like I'm hearing the shutdown cries of synthetic humanoids that didn't pass QA on a production line -- fully sentient lives, extinguished. Favorite track: Area 55.
jared_seymour
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jared_seymour really loving this sound Favorite track: Yoko & Ano.
Brent
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Brent one of the best EPs of 2017, almost impossible to pick a favorite track of the 5. Favorite track: Gang Gang.
JUDAH MICHAEL MULALU
JUDAH MICHAEL MULALU thumbnail
JUDAH MICHAEL MULALU FBC peeled off the layers of my musical experience and exposed a new, previously unknown level of emotive experience akin to breathing pure oxygen... beyond transport! Favorite track: Yoko & Ano.
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about

Plastician’s Terrorhythmn imprint have been breathing plenty of life into the mutated, hybrid club sounds emerging from both UK and US beat-makers over the past two years, crucially spotlighting producers like Ganz, AWE, Patrick Brian and JD Reid for the first time.

The latest name to emerge from the camp, Klasey Jones, has been bubbling under for the past year, with his tracks earning heavy rotation on Plastician’s Rinse FM show in particular — itself often a valuable resource for those seeking a link between grime, drill and instrumental, cloud-wave rap.

Jones’ debut EP — the widescreen, cinematic ‘Foreign Buyers Club’ — is a profound case in point, linking the above sub-genres with flashes of 80s synth music, anime OSTs and some genuinely one-of-a-kind sound design.

At five tracks long, Jones is also able to explore the variants to his sound fully across the EP; see the morbid dystopia of opener ‘Area 55’ for example, or conversely, the hazy, string-led romance on ‘Gang Gang’.

With over 150 instrumentals currently sat on his hardrive, Jones’ potential is limitless, but ‘Foreign Buyers Club’ serves as the perfect introduction to he’s headed.

credits

released January 23, 2017

Tracks Produced By Klasey Jones
Artwork by Mizucat.
Mastered by Robin Petras.

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Klasey Jones London, UK

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